This book is being written in sorrow and rage -- as well as hope. I am angry: about the staggering global hypocrisy of the rich nations, having robbed the poor ones of their future, now arguing against a reverse movement of peoples -- not to invade and conquer and steal, but to work. Angry at the ecological devastation that has been visited upon the planet by the West, and which now demands that the poor nations stop emitting carbon dioxide. Angry at the depiction of people like my family and the other families that have continued in my family's path, because the had no other choice, as freeloaders, drug dealers, and rapists. I'm tired of apologizing for moving. These walls, these borders, between the peoples of the earth: they are of recent vintage, and they are flimsy. [pp. 8-9]
Create dangerously, for people who read dangerously. This is what I’ve always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. p. 10
Luis Alberto Urrea's 2009 novel Into the Beautiful North is a comedy against the background of the cruel forces which drive rural Mexicans to migrate to the United States despite the risks they face on the journey, the hostility they encounter, the dangers government immigration enforcement officers pose and the relatively modest rewards the migrants obtain in exchange for enduring these risks as well as the long, hard hours they work and the bitter loneliness of exile.
The story itself is a combination of the movies The Seven Samurai/The Magnificent Seven and Homer’s The Odyssey. The first part of the novel introduces us to the protagonist Nayeli, a high school graduate from the fictional fishing town of Tres Camarones in Sinaloa (or maybe Nayarit, nobody knows) Province in Mexico. And while Tres Camarones had resisted most forms of modernization, it became subject to forces beyond the control of its residents:
And then, the peso dropped in value. Suddenly, there was no work. All the shrimp were shipped north, tortillas became too expensive to eat, and people started to go hungry. We told you change was bad, the old timers croaked. Nobody had heard of the term immigration. Migration, to them, was when the tuna and the whales cruised up the coast, or when Guacamaya parrots flew up from the south. So the men started to go to el norte. … The modern era had somehow passed Tres Camarones by, but this new storm had found a way to siphon its men away, out of their beds and into the next century, into a land far away. P. 4
While there is important information in this book, I disagree with the author's exhortation in epilogue to vote harder. While voting is a tool, the USA's and the world's veering towards fascism isn't going to stop because liberals win an election here or there.
The most obvious parallel is the reluctance of business elite and their political lackeys to take public health concerns seriously for fear of a reduction in profits. For years, San Francisco oligarchs used their influence with city and state officials and media to obstruct the work of public health officials. Only the threat of losing authorization to host a large United States naval fleet persuaded these authorities to address the threat of bubonic plague with the seriousness and resources public health officials had long sought.
Afkham Darbandi & Dick Davis translated from Persian into English Farid Attar's Mantiq al-Tayr (منطق الطير). The title they chose is The Conference of the Birds. The National Endowment for the Humanities included it in its Muslim Journeys Bookshelf.
There are several translations, and the copy I read included a prologue and an epilogue, which is a revised edition of the first Darbandi & Davis published translation. The ISBN is 9780140444346, and the length is 278 pages. I thought the prologue & epilogue were valuable.
To call Darbandi & Davis translators is quite a misnomer. Their rhyming couplets are so much more than translating.
I also read a picture book version by Rabiah/Alexis York Lumbard, which I hope to write a separate blog entry about.
Sitting in a cafe reading Linda Sarsour’s memoir, We Are Not Here to Be Bystanders, I was afraid to expose the book’s cover, which shows the author in a hijab. As a Muslim woman living in the United States, I am well-acquainted with the different ways American Muslims minimize themselves in public. And for that reason I am all the more heartened by Sarsour’s fearlessness. -- read more -
Alexis York Lumbard aka Rabiah York Lumbard agreed to Muslim Media Review's request for an interview about her first novel, No True Believers. You can see all of her works and contact her through her website.
The Young Adult (YA) Genre Given that most authors who write YA aren’t themselves young
adults, what are successful YA authors doing to connect with young readers? They dig
deep inside themselves and remember what it was like to be a teen. They also listen
to their teen readers. Being a listener is critical in any form of art. What separates YA novels & short stories from “adult”
literature? Is it language level? Is it that the protagonist(s) must be young
adults? For example, why isn’t Crime and Punishment a YA novel?
I attended a trade show in New Orleans or Baton Rouge a year or two after Katrina. There's plenty of down time at trade shows when I would exchange small talk with the people manning neighboring booths. One person shocked me by telling me that the flooding had the silver lining of cleaning out the city. I didn't understand at the time that what he meant was that it would facilitate capitalists' exploitation of the space previously occupied by displaced black residents of the city, whom he and policy makers at all levels viewed as expendable at best and liabilities at worst.
Gentrification isn't an inevitable or natural process. Students of capitalism have long ago noted why, if unchecked, it would occur, but human societies don't have to choose to follow capital's dictates.
In the United States, racist policies have ensured that the negative impacts of housing crises fall on black and brown people.
Policy makers at the federal, state and municipal levels have adopted gentrification & suburbanization as vehicles for economic growth and have subsidized these processes.
Special message from Meryam Joobeur, the first ever Tunisian female filmmaker to be nominated for an #Oscar for her short film BROTHERHOOD, supported by our grants programme. We wish her all the best at the Academy Awards which will be held Monday Feb 10 early morning Doha time. pic.twitter.com/e4rDDqW9Pv
"Ekhtiar’s volume is part of a wider How to Read series of handbooks produced by different departments at the Met, designed to equip readers with the essential tools and background to appreciate an entire class of materials ranging from Greek vases to Oceanic art. While the series in general promises to prepare its audience to “read” all kinds of art objects, the resulting title for this specific installment is particularly apt, because it points to the most fundamental (and fascinating) characteristic of Islamic calligraphy: that it is an art form meant to be seen as well as read." -- read more --
Border Bandits is a documentary and dramatization of the murder of two Hispanic USA citizens, Antonio Longoria and Jesus Bazan, by the Texas Rangers in 1915 in an area of the border with Mexico near the confluence of the Pecos and Rio Grande Rivers. While USA popular culture has glorified the Texas Rangers, the documentary notes its participation in two waves of violence directed at the people in the path of white supremacist settler colonialism in that region. The first wave was in the mid-19th century, and it was directed against the Apache and Comanche indigenous nations. The second took place under cover of the Bandit War and the Mexican Revolution in the 1910s, and it was conterminous with the dispossession of Hispanic landowners in favor of Anglos. The documentary places the 1915 murders in the context of this second wave of violence, where up to 5,000 Hispanics were murdered as corporate Anglo agricultural interests took over the region.
Kirby Warnock's grandfather related in an oral history project that his father, Roland Warnock, had known the two murder victims and had participated in their burial. You can read the transcript. The documentary explores the events of that day and the subsequent lives of the participants and their descendants. As such, it is a good example of social history.
When I watched the movie, I thought of the following:
1. The importance of oral history. If you have a relationship with an elderly person, ask that person about his or her childhood and record your conversation. Or get them to talk with StoryCorps.
2. The similarities in USA warfare from the original wars the Anglo colonists waged against the indigenous nations on the Atlantic coast of North America, through the Bandit War and now the Global War on Terror. The settler colonialists took advantage of divisions or acts of violence to mobilize its military and militias to seize resources from the indigenous or colonized peoples.
3. The wholescale violence employed in these wars & ethnic cleansings resulted in some blowback as murder replaced peaceful methods of conflict resolution. Roland Warnock, the great grandfather of the film's producer, was murdered in broad daylight in front of his son, who produced the testimony which forms the basis of the film.
4. The pressing need for every parent to read Lies My Teacher Told Me by James Loewen and review their children's social studies curricula.
5. Uncle Karl (Marx) & Uncle Friedrich (Engles) were on the money when they said that police's purpose is to preserve the ruling class's control over the means of production.
#OTD on January 28, 1918, Texas Rangers massacred fifteen men and boys at the village of Porvenir, Texas, in what is perhaps the single most notorious and consequential event in the history of the Ranger Force. 1/ pic.twitter.com/HOAI1v7B20
With clear, borderless illustrations and large, recognizable script, this board book brings the basics of the Arabic alphabet to young Western audiences. Paired with each basic letter form, Wahab has included the transliterated sound, a common Arabic word in standard script, and the word’s transliteration. A simple illustration of that word brings understanding to the audience as well. -- read more --
The novel deals with many vital themes, but I recommend it especially for students in high school & college who may have mixed feelings about stretching their wings for personal achievement.
Proximity to the condemned and incarcerated made the question of each person's humanity more urgent and meaningful, including my own. p. 12
I have discovered, deep in the hearts of many condemned and incarcerated people, the scattered traces of hope and humanity -- seeds of restoration that come to astonishing life when nurtured by very simple interventions. p. 17
Apple TV's movie Hala was released today. It has it all. White gaze, titillation, a violent father, the unveiling of an oppressed Muslim girl. Spare yourself 90 minutes of face-palming and read our review instead https://t.co/SWziWgxYUf
Hala receives three bloodied swords [out of 5] for its depiction of a violent and controlling Muslim man, for its one dimensionality, and for falsely perceiving itself as complex and nuanced in its portrayal of Muslims. --- read more --
While the Establishment Clause of the USA Constitution has brought this society many benefits, some of which I've mentioned elsewhere, this book can open eyes to the dangers the continuation of the Global War on Terror (GWOT), in its neoconservative Bush-the-Small iteration or its neoliberal Obama iteration or its 45 Regime kill all non-whites iteration.
My county's Board of Education decided to exclude Dear Martin by Nic Stone from the list of novels literature teachers can choose to assign to students to read and from its media centers. Upon checking it out from my local library and reading it, I have a lot to say about why I think my county's board of education made a mistake. For the purposes of this blog, however, I urge parents and guardians of every background to read and discuss this book with their children.
The interactions of the characters pose better, more pressing questions than any other piece of Young Adult literature I know. For non-black children growing up in majority white suburban areas, it hopefully will prevent them from asking the first black person they meet when they go to university about their standardized test scores or where they can score weed.
The IMDB entry for the documentary film We Believe in Dinosaurs will tell you that it explores the people behind the Creation Museum and the Ark Encounter Park in Kentucky. I'm telling you it is an understated cry for anti-fascist action. And if you think that's a hyperbolic statement, then you haven't been paying attention to my entries tagged fascism at this blog and at my other blog. You are Günter Grass's Social Democrat.
Eileen Welsome's The Plutonium Files: America's Secret Medical Experiments in the Cold War should be a cautionary tale for all people considering scientific and technological solutions to grave problems. People in authority -- intelligent, ambitious, competent, hard-working people who talk well, smell good and love their children -- will always place their goals above the harms their actions do to people they consider less consequential. As humanity approaches the cliff of the climate catastrophe, many beneficiaries of greenhouse gas emitting economic activities will propose technological remedies with unknown and unknowable consequences, and you can be sure that these proposals' main feature is they keep the people on top in the same relative position of privilege.
Welsome's book is like a compilation of "long-read" articles describing various aspects of the United States's military's dealings with nuclear energy during the development of the first atomic bomb and through the next few decades as it attempted to find tactical uses for nuclear weapons.
So many narratives about rural America in the wake of President Donald Trump's election have been told through the eyes of the white working class.
Yet Ayaz Virji's memoir as a Muslim doctor in small-town Minnesota offers a revealing perspective that challenges us to think more broadly about community and faith in Trump Country, where the author chronicles the conflicts between his calling to practice rural medicine and find acceptance in his religious identity. --- read more ---
Jennifer Teege, author of My Grandfather Would Have Shot Me, spoke in my town. I asked her about English language books which might help me understand the mentality of Germans during fascism, and she recommend this book.
Sönke Neitzel, a historian, and Harald Welzer, a social psychologist, analyzed declassified transcripts of surreptitiously recorded conversations of German prisoners of war in British & American prisons during World War II. These transcripts confirm both the shocking level of violence fascists unleashed and the suitability of the psychological and institutional structures of a modern capitalist, industrial society to support this violence. Reading it in the United States of America in 2019 increases the urgency of radical resistance to oligarch-inspired labor docility, militarism and global genocide through ecological destruction.
I've never liked guns. People I know died by suicide with a gun or accident. A stranger pointed a gun at me in a road rage incident when I was a teenager. And, when I fired guns at a shooting range, the extent to which I liked it frightened me. On my social media, I follow and promote @Well_Regulated_, which publicizes tragic incidences of uses of firearms in the United States. I tell people I support "smart" gun control, which in my mind means requiring registration of weapons, restricting sales of weapons & munitions designed to kill masses of people and stripping rights to weapons from particular classes of convicted criminals, such as domestic violence offenders.
I hope reading the book will motivate you to make sure you are registered to vote and actually vote in every election and attempt to understand your options in each election. And when you find your options are limited, then act to improve your options.
The book also is a great example of a phenomenon James W. Loewen identified in Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong. Our public schools, for a variety of reasons, teach students that the United States always improves without explaining that people contested all issues, and some people won and others lost and sometimes those who lost won later. So we have this idea that "Civil Rights" happened in the 1960s, and, well, "problem solved."
As a civil rights activist with the Georgia chapter of the Council on American-Islamic Relations, most of the emails I receive involve deadly serious topics: hate speech…hate crimes…discrimination…Donald Trump’s latest tweet. So you can perhaps imagine my surprise when I received an email last year from a casting director for the latest sequel to the classic blaxploitation film Shaft, which was filming in Atlanta. --- read more ---
P.S. (April 8, 2020) - I watched Shaft (2019) on HBO today. The plot, as Brother Edward described, is a barely adequate veneer for the real story: the emergence of a third generation Shaft as portrayed by Jessie T. Usher, who like his grandfather Richard Roundtree (Shaft, 1971) & his father Samuel Jackson (Shaft, 2000), decides to stop "working for the man." Jessie begins the movie as an awkward hipster & ends it as another "man with the plan."
“A brewing war with Iran, xenophobic sentiments towards immigrants, an exploitative tech industry—these things seemed farfetched in 2014, but time has made this thoughtful sci-fi short film seem prophetic. We revisit REFUGE on https://t.co/YlCPZggs8h today.” pic.twitter.com/Sa5gBvztQ8
Günter Grass received the Nobel Prize for Literature in 1999, and his most famous book is Die Blechtrommel, translated into English as The Tin Drum. The June 4, 2007 New Yorker published his account of his participation as a teenager in the German Nazi war effort. Because he had not disclosed these matters publicly, despite his reputation as a critic of post-war Germany's attempts to forget its fascism and its crimes and their popularity, he received much criticism.
Some of her description of her mentor, Peter Maurin:
Peter made you feel a sense of his mission as soon as you met him. He did not begin by tearing down, or by painting so intense a picture of misery and injustice that you burned to change the world. Instead, he aroused in you a sense of your own capacities for work, for accomplishment. He made you feel that you and all men had great and generous hearts with which to love God. If you once recognized this fact in yourself you would expect and find it in others. [p. 171]
Description on PBS.org site: "In the Taliban-controlled area of Waziristan in northwestern Pakistan, where sports for women are decried as un-Islamic and girls rarely leave their houses, young Maria Toorpakai (Instagram) defies the rules by disguising herself as a boy so she can play squash freely. As she becomes a rising star, however, her true identity is revealed, bringing constant death threats on her and her family.
Arjun Singh Sethi's volume consists of his introduction and conclusion and thirteen accounts by victims of hate crimes and/or their surviving relatives. A web site accompanies the book.
I've never met Professsor Arjun, but he was kind enough to consult in the case of a hate crime in my city.
Even though I'd heard about most of the thirteen cases, the power of the testimonials still overwhelmed me. I had not adequately considered the long-term effects of these crimes on their immediate victims, and many of the initial media accounts did not include poignant details revealed in this volume.
New Documentary by Mwatana on arbitrary arrests and enforced disappearance by all conflict parties in Yemen.
وثائقي جديد لمواطنة يسلط الضوء على الاعتقال التعسفي و الاختفاء القسري، اللذان تمارسهما كافة أطراف النزاع في اليمن.
I hope library users in my state of Georgia would request these materials. Remember, if your branch library doesn't have a book you want, you can request the branch library to retrieve the book from other participating libraries. You can do this online with a PINES account or at the circulation desk. Also note that some public libraries don't participate in PINES, particularly those in Atlanta.
Nothing feeds forgetfulness better than war, Daniel. We all keep quiet and they try to convince us that what we've seen, what we've done, what we've learned about ourselves and about others, is an illusion, a passing nightmare. Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them and they return, with another face and another name, to devour what they left behind. (p. 428)
An idea which struck me was her insistence that contemplation of suicide is a civil right or privilege which blacks in America should seek to earn:
But one white female privilege had always been withheld from the girls of Negroland. Aside from the privilege of actually being white, they had been denied the privilege of freely yielding to depression, of flaunting neurosis as a mark of social and psychic complexity. A privilege that was glorified in the literature of white female suffering and resistance. A privilege Good Negro Girls had been denied by our history of duty, obligation, and discipline. Because our people had endured horrors and prevailed, even triumphed, their descendants should be too strong and too proud for such behavior. We were to be ladies, responsible Negro women, and indomitable Black Women. We were not to be depressed or unduly high-strung; we were not to have nervous collapses. We had a legacy. We were too strong for that. I craved the right to turn my face to the wall, to create a death commensurate with bourgeois achievement, political awareness, and aesthetically compelling feminine despair. (pp. 171-2)
Here's a passage on housing segregation in Hyde Park, the home of University of Chicago, in the 1960s (p. 147):
Here's a passage about the mental price Margo Jefferson paid as a child trying to navigate the rules of race, gender and class which had been imposed on her and how her adult life has been an attempt to become "a person of inner consequence." (p. 156)
From p. 97, a description of "Hollywood studio manager Monroe Stahr, clearly based on Irving Thalberg (head of the film company Metro-Goldwyn-Mayer), whom Fitzgerald had encountered several times." (Wikipedia)
Like many brilliant men, he had grown up dead cold. Beginning at about twelve, probably, with the total rejection common to those of extraordinary mental powers, the "See here: this is all wrong -- a mess -- all a lie -- and a sham --," he swept it all away, everything, as men of his type do; and then instead of being a son-of-a-bitch as most of them are, he looked around at the barrenness that was left and said to himself, "This will never do." And so he had learned tolerance, kindness, forebearance, and even affection like lessons. (emphasis in original)
A mosque is more about process, argues Saleem, than it is about the finished product. It is about the often slow, “iterative” business by which a community defines its needs, finds a site, raises money and commissions a building.
Mosques, he says, are “vehicles for the dynamic reconstruction of tradition” and their conservatism can be explained as a reaction to both racism and homesickness for countries of origin.
His own preferences do, however, become clear, in a non-traditional mosque that he has himself designed in Bethnal Green, London. He also likes the abstractly Islamic Cambridge mosque, now being built to the designs of Marks Barfield, architects of the London Eye. And, surely, the future of mosque design should indeed be about finding a British Islamic way of building to stand alongside – rather than copy – those of the Mahgreb, or Turkey, or the subcontinent. Just don’t expect this transformation to happen quickly.
This is a translation of a passage in Sahih al-Bukhari, an important collection of narrations about the deeds and words attributed to the Messenger Muhammad ﷺ:
قال رسول الله صلى الله عليه وسلم لما قضى الله الخلق كتب في كتابه فهو عنده فوق العرش إن رحمتي غلبت غضبي
Allah's Messenger ﷺ said, "When Allah completed the creation, He wrote in His Book which is with Him on His Throne, "My Mercy overpowers My Anger."
My local public library regularly removes books from its shelves for a variety of reasons. I purchased about 15 boxes of books through the Friends of the Library, a volunteer organization which sells these books to fund efforts to support the public libraries in my city. I've sold, exchanged and given away most of the books in those 15 boxes. Recently, I received an order through my Amazon store for The Prisoners of Quai Dong by Victor Kolpacoff. Before fulfilling the order, I read the book. I can't do a proper review of it, but I wanted to give you creative people out there a heads up that this book may be a productive basis for a play or movie or a graphic novel.
