I've liked Hari Kondabolu since seeing a YouTube clip (profanity warning) of why he doesn't use an accent in his comedy acts. When Roku and HBO Max finally resolved their differences, the first movie I watched was his 2017 documentary The Problem with Apu. The documentary is an excellent walk-through about the importance of representation in popular culture, a topic which I've covered in this blog's entries on TV shows, movies and documentaries. There were several points the movie made which stand out for me.
The writers on The Simpsons never considered the impact the character Apu had on actual people. When Hari was interviewing a former producer who pointed out that the show's portrayal of the evil oligarch Mr. Burns was stereotypical and Hari pointed out that one couldn't compare the positions of oligarchs and convenience store operators in society, the producer said that the only consideration in the writers' room was whether dialog was funny. Hari then points out that the only reason Apu and his accent are funny is because society is racist.
It's refreshing to see a depiction of USA Muslims without violence and with loving family relationships. Yet the film has a twist which I didn't see coming and a satisfying resolution, so I can recommend it for more than just its representational value.
The book has three sections. The first debunks the idea of clean energy production. This is especially difficult to read, because I had never entertained serious doubts that humanity could and should continue to expand its energy production as long as it used "clean" & "renewable" energy such as solar, wind, tidal and (one day!) nuclear fusion. I'm an avid consumer of science fiction and futurism, and most of these cultural products assume that humanity has solved its environmental limits while maintaining an ever-increasing standard of living.
This book is being written in sorrow and rage -- as well as hope. I am angry: about the staggering global hypocrisy of the rich nations, having robbed the poor ones of their future, now arguing against a reverse movement of peoples -- not to invade and conquer and steal, but to work. Angry at the ecological devastation that has been visited upon the planet by the West, and which now demands that the poor nations stop emitting carbon dioxide. Angry at the depiction of people like my family and the other families that have continued in my family's path, because the had no other choice, as freeloaders, drug dealers, and rapists. I'm tired of apologizing for moving. These walls, these borders, between the peoples of the earth: they are of recent vintage, and they are flimsy. [pp. 8-9]
Create dangerously, for people who read dangerously. This is what I’ve always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. p. 10
Luis Alberto Urrea's 2009 novel Into the Beautiful North is a comedy against the background of the cruel forces which drive rural Mexicans to migrate to the United States despite the risks they face on the journey, the hostility they encounter, the dangers government immigration enforcement officers pose and the relatively modest rewards the migrants obtain in exchange for enduring these risks as well as the long, hard hours they work and the bitter loneliness of exile.
The story itself is a combination of the movies The Seven Samurai/The Magnificent Seven and Homer’s The Odyssey. The first part of the novel introduces us to the protagonist Nayeli, a high school graduate from the fictional fishing town of Tres Camarones in Sinaloa (or maybe Nayarit, nobody knows) Province in Mexico. And while Tres Camarones had resisted most forms of modernization, it became subject to forces beyond the control of its residents:
And then, the peso dropped in value. Suddenly, there was no work. All the shrimp were shipped north, tortillas became too expensive to eat, and people started to go hungry. We told you change was bad, the old timers croaked. Nobody had heard of the term immigration. Migration, to them, was when the tuna and the whales cruised up the coast, or when Guacamaya parrots flew up from the south. So the men started to go to el norte. … The modern era had somehow passed Tres Camarones by, but this new storm had found a way to siphon its men away, out of their beds and into the next century, into a land far away. P. 4
While there is important information in this book, I disagree with the author's exhortation in epilogue to vote harder. While voting is a tool, the USA's and the world's veering towards fascism isn't going to stop because liberals win an election here or there.
The most obvious parallel is the reluctance of business elite and their political lackeys to take public health concerns seriously for fear of a reduction in profits. For years, San Francisco oligarchs used their influence with city and state officials and media to obstruct the work of public health officials. Only the threat of losing authorization to host a large United States naval fleet persuaded these authorities to address the threat of bubonic plague with the seriousness and resources public health officials had long sought.
Afkham Darbandi & Dick Davis translated from Persian into English Farid Attar's Mantiq al-Tayr (منطق الطير). The title they chose is The Conference of the Birds. The National Endowment for the Humanities included it in its Muslim Journeys Bookshelf.
There are several translations, and the copy I read included a prologue and an epilogue, which is a revised edition of the first Darbandi & Davis published translation. The ISBN is 9780140444346, and the length is 278 pages. I thought the prologue & epilogue were valuable.
To call Darbandi & Davis translators is quite a misnomer. Their rhyming couplets are so much more than translating.
I also read a picture book version by Rabiah/Alexis York Lumbard, which I hope to write a separate blog entry about.
Sitting in a cafe reading Linda Sarsour’s memoir, We Are Not Here to Be Bystanders, I was afraid to expose the book’s cover, which shows the author in a hijab. As a Muslim woman living in the United States, I am well-acquainted with the different ways American Muslims minimize themselves in public. And for that reason I am all the more heartened by Sarsour’s fearlessness. -- read more -
Alexis York Lumbard aka Rabiah York Lumbard agreed to Muslim Media Review's request for an interview about her first novel, No True Believers. You can see all of her works and contact her through her website.
The Young Adult (YA) Genre Given that most authors who write YA aren’t themselves young
adults, what are successful YA authors doing to connect with young readers? They dig
deep inside themselves and remember what it was like to be a teen. They also listen
to their teen readers. Being a listener is critical in any form of art. What separates YA novels & short stories from “adult”
literature? Is it language level? Is it that the protagonist(s) must be young
adults? For example, why isn’t Crime and Punishment a YA novel?
I attended a trade show in New Orleans or Baton Rouge a year or two after Katrina. There's plenty of down time at trade shows when I would exchange small talk with the people manning neighboring booths. One person shocked me by telling me that the flooding had the silver lining of cleaning out the city. I didn't understand at the time that what he meant was that it would facilitate capitalists' exploitation of the space previously occupied by displaced black residents of the city, whom he and policy makers at all levels viewed as expendable at best and liabilities at worst.
Gentrification isn't an inevitable or natural process. Students of capitalism have long ago noted why, if unchecked, it would occur, but human societies don't have to choose to follow capital's dictates.
In the United States, racist policies have ensured that the negative impacts of housing crises fall on black and brown people.
Policy makers at the federal, state and municipal levels have adopted gentrification & suburbanization as vehicles for economic growth and have subsidized these processes.
Special message from Meryam Joobeur, the first ever Tunisian female filmmaker to be nominated for an #Oscar for her short film BROTHERHOOD, supported by our grants programme. We wish her all the best at the Academy Awards which will be held Monday Feb 10 early morning Doha time. pic.twitter.com/e4rDDqW9Pv
"Ekhtiar’s volume is part of a wider How to Read series of handbooks produced by different departments at the Met, designed to equip readers with the essential tools and background to appreciate an entire class of materials ranging from Greek vases to Oceanic art. While the series in general promises to prepare its audience to “read” all kinds of art objects, the resulting title for this specific installment is particularly apt, because it points to the most fundamental (and fascinating) characteristic of Islamic calligraphy: that it is an art form meant to be seen as well as read." -- read more --
Border Bandits is a documentary and dramatization of the murder of two Hispanic USA citizens, Antonio Longoria and Jesus Bazan, by the Texas Rangers in 1915 in an area of the border with Mexico near the confluence of the Pecos and Rio Grande Rivers. While USA popular culture has glorified the Texas Rangers, the documentary notes its participation in two waves of violence directed at the people in the path of white supremacist settler colonialism in that region. The first wave was in the mid-19th century, and it was directed against the Apache and Comanche indigenous nations. The second took place under cover of the Bandit War and the Mexican Revolution in the 1910s, and it was conterminous with the dispossession of Hispanic landowners in favor of Anglos. The documentary places the 1915 murders in the context of this second wave of violence, where up to 5,000 Hispanics were murdered as corporate Anglo agricultural interests took over the region.
Kirby Warnock's grandfather related in an oral history project that his father, Roland Warnock, had known the two murder victims and had participated in their burial. You can read the transcript. The documentary explores the events of that day and the subsequent lives of the participants and their descendants. As such, it is a good example of social history.
When I watched the movie, I thought of the following:
1. The importance of oral history. If you have a relationship with an elderly person, ask that person about his or her childhood and record your conversation. Or get them to talk with StoryCorps.
2. The similarities in USA warfare from the original wars the Anglo colonists waged against the indigenous nations on the Atlantic coast of North America, through the Bandit War and now the Global War on Terror. The settler colonialists took advantage of divisions or acts of violence to mobilize its military and militias to seize resources from the indigenous or colonized peoples.
3. The wholescale violence employed in these wars & ethnic cleansings resulted in some blowback as murder replaced peaceful methods of conflict resolution. Roland Warnock, the great grandfather of the film's producer, was murdered in broad daylight in front of his son, who produced the testimony which forms the basis of the film.
4. The pressing need for every parent to read Lies My Teacher Told Me by James Loewen and review their children's social studies curricula.
5. Uncle Karl (Marx) & Uncle Friedrich (Engles) were on the money when they said that police's purpose is to preserve the ruling class's control over the means of production.
#OTD on January 28, 1918, Texas Rangers massacred fifteen men and boys at the village of Porvenir, Texas, in what is perhaps the single most notorious and consequential event in the history of the Ranger Force. 1/ pic.twitter.com/HOAI1v7B20
With clear, borderless illustrations and large, recognizable script, this board book brings the basics of the Arabic alphabet to young Western audiences. Paired with each basic letter form, Wahab has included the transliterated sound, a common Arabic word in standard script, and the word’s transliteration. A simple illustration of that word brings understanding to the audience as well. -- read more --
